An Eric Prydz remix is probably as far as you could imagine Kölsch steering things towards the stadiums, though the Danish producer is nonetheless famous for his unabashed affinity with emotion, and he does a bang-up job of striking the right balance with ‘Generate’. It’s a calculated remix that hits all the right points while still keeping things authentic, its bleepy electro stabs morphing into a rich framework where Kölsch summons genuine emotion from the vocals.
Ahead of the EP dropping in September, BA release a pair of limited-edition socks with two killer tracks — ‘Camo’ is a global riddim atop soft footwork vibes, ‘Fever’ is stripped back percussive jingalism.
Sobota has deftly avoided being cornered into any particular genre, producing drum & bass to techno and everything in-between, though with ‘Triangles’ he unleashes his trance chops with a record that’s unashamedly grandiose. There’s a hands-in-the-air vibe to the harmonies, and while the deeper grooves keep it one step away from full-blown floaty euphoric trance, that step is a defining one. An impressive and distinct move for the MicroCastle stable.
Being released on the anniversary of his untimely death, Hyperdub release the final EP from DJ Rashad’s production vaults, saving the best till last. ‘CCP2’ feat DJ Spinn sets the tone, a dope soul sample atop a rolling juke frame, followed by the huge vocal-led ‘Cause I Know U Feel’ which is as close as you get to a hands-in-the-air “last tune” with juke. The mood then switches with ‘Taso’ and ‘Do Not Fuck’. The former gets hyper trappy, whilst the latter is an intense footwork beat excursion drenched in paranoia.