Do yourself a favour and steer well clear of the vocal cut of Michael Woods’ new single ‘Overflowing’, and head straight for the visceral dancefloor appeal that personifies the instrumental mix. A polished mix of electro and EDM, it’s the brute force of that bassline that cements it as a mainroom banger with enough brute power to wreck the joint. Executed with precision.
An Eric Prydz remix is probably as far as you could imagine Kölsch steering things towards the stadiums, though the Danish producer is nonetheless famous for his unabashed affinity with emotion, and he does a bang-up job of striking the right balance with ‘Generate’. It’s a calculated remix that hits all the right points while still keeping things authentic, its bleepy electro stabs morphing into a rich framework where Kölsch summons genuine emotion from the vocals.
If ever there was a track which sounded like how I felt jacked on four double espressos then ‘Wigu Hill’ is it — jittery as fuck and loaded with a woodpecker-like purpose. It has an intense, weird and hypnotic quality. As does the rest of the EP from Glasgow’s Mr Ludd; track names like ‘Molcorp Mountain Pass’, ‘Garimpos’ and ‘Prisoner’s Dilema’ only hint at the madness contained within. I urge you to explore.
Grum makes his Anjunabeats debut with another solid indication he’s ready for the big league. ‘U’ is an enigmatic, progressive stormer that pitches its flag somewhere ambiguously between house and trance, maximising appeal for both scenes. Led by a rich, colourful electro synth hook, it’s backed by a driving house kick that maximises dancefloor functionality. More importantly though is how Grum has tapped into that mysterious essence that defined early progressive, making ‘U’ one of the standout electro/progressive records of the year so far.